Tiny Pretty Things
by Sona Charaipotra and Dhonielle Clayton
Black Swan meets Pretty Little Liars in this soapy, drama-packed novel featuring diverse characters who will do anything to be the prima at their elite ballet school.
Gigi, Bette, and June, three top students at an exclusive Manhattan ballet school, have seen their fair share of drama. Free-spirited new girl Gigi just wants to dance—but the very act might kill her. Privileged New Yorker Bette's desire to escape the shadow of her ballet star sister brings out a dangerous edge in her. And perfectionist June needs to land a lead role this year or her controlling mother will put an end to her dancing dreams forever. When every dancer is both friend and foe, the girls will sacrifice, manipulate, and backstab to be the best of the best.
I went through a phase of really, really loving ballet. Books, movies, photography, anything ballet. I remember reading Bunheads, Dance of Shadows, Dancing for Degas, and several others I didn’t finish. I also watched Black Swan (I think it’s the movie that set everything off), several real or televised classic ballet performances like Swan Lake, the Nutcracker, and Sleeping Beauty, and a TV series that recently came out called Flesh and Bone. Needless to say, when I saw the synopsis of Tiny Pretty Things—Black Swan meets Pretty Little Liars—I was elated.
I’m gonna try making a list of all the things I liked:
The Characters
Bette is the polar opposite of Gigi: typical WASP, native New Yorker, neurotic, and manipulative. On the outside, she’s epitome of traditional ballet, the porcelain ballerina in a music box, but in reality, she is forever in the shadow of her much-more-talented ballerina sister Adele. Bette also loses both her boyfriend and “her” lead roles as soon as Gigi appears. Naturally, she turns her obsessive energy onto the hapless new girl, and it’s not the first time she’s done this to another classmate. In a word, Bette is one bubbling mess fraying around the edges.
June is a half-white, half-Korean girl who doesn’t seem to fit anywhere. She doesn’t even know who her father is, and her ex-dancer mother wouldn’t tell her either. June starves herself to fit her misguided mold of perfection, and she is pretty liberal about pushing limits to get what she wants.
As a multiple POV book, Tiny Pretty Things is surprisingly engaging, because each character is well-developed. The characters mentioned above are the 3 MCs: Gigi, Bette, and June. Each has a different personality, a secret, and a way of obtaining their goal. I enjoyed how tormented, twisted, (...that sounds bad and sadistic and wrong, but ballet itself is a ruthlessly beautiful affair) and genuine the protagonists are. They’re not teeth-gnashingly pristine little dancers in pink tutus, but flawed real girls with dark sides.
The Diversity
I knowww. Diversity is such an important thing in YA right now, and every author is scrambling to stuff as many diverse characters into their works as possible. BUT, Charaipotra actually allows diversity to unfold in her story; each diverse character is accompanied by a slew of cultural allusions instead of stereotypes. The author doesn’t simply throw in a black dancer and a half-Asian dancer to make her story diversity-friendly, she gives them all these doubts and social bias to overcome. I also love how they don’t obsess over racism all the time but have their own problems to handle, because SURPRISE! ethnic people have lives, too.
(There are also some delicious Korean food mentioned, so kudos! This foodie appreciates it.)
The Atmosphere
This is what I love most about works featuring ballet and ballerinas: the tension. Everything seems to be balanced on a precarious pointe, and any crisis can push someone over the edge. To me, that is what’s beautiful about ballet, the strength and fragility combined. In this book, there are a lot of tension between classmates, friends, and family members. All those pranks, backstabbing, and malicious gossips. Every dancer also has to face the pressure exerted on them by themselves, by teachers, and by the impossible beauty standard imposed on ballerinas.
What I didn’t like:
TOO MUCH TEEN DRAMA
I’m a drama-averse person; I hate confrontations. Don’t get me wrong, conflict is the essence of a good tale, but too much conflict derails into soap opera. A good dramatic story can be absolutely enthralling and just chilling when done right, like Abigail Haas’s Dangerous Girls. Some of the “revenge” and threats in Tiny Pretty Things, however, are unnecessary and left hanging threads when the book ends. This Henri "evil/mysterious" side-character doesn’t seem to actually do much except whispering variations of “I know what you did and I’m here for revenge” in Bette’s ears while taking advantage of her. I mean, what is all that about? WUT? Also, the pranks seem too sloppy, childish, and stupid for those so-called professional backstabbers. Not that I would ever prank someone maliciously, but surely there are better, subtler “messages” than rotting-cookie-dead-roaches combo or signature-lipstick-warning-on-mirror tricks? Though I admit one of the tricks was pretty upsetting even to me. *spoiler* But on the whole, way too much unnecessary drama for me.
The Romance
But, on the whole I liked this book! Because ballet and ballerinas. Also, the ending is, again, surprising and shocking and you’ll see what I mean.
No comments:
Post a Comment